I situate my research in the space between conceptual objects and material sensuality. I love working with video, as it appears as liquid light: ethereal and in constant flux. Sound becomes architecture, shaping space and perception while image, object, and material move in and out of conversation.

I’m interested in what the body knows before language arrives—how places, encounters, and histories lodge themselves in memory, sensation, intuition, and atmosphere. Drawing traces experience through gesture, surface, and touch, while interactive systems introduce responsiveness, chance, and transformation.

Technology is part instrument, part medium, part accomplice. Video, cameras, interactive systems, objects, and pigment mingle with emerging AI-informed tools as each project finds its form. Curiosity leads.

I believe in complexity and dialectics, affinities and interconnectedness, portability and flexibility—and in keeping the energy moving.